Marketing Incentives
I just got done reading The Big Short, which is the third book in my personal series of trying to wrap my head around how we managed to so fundamentally screw ourselves over (Gillian Tett’s Fool’s Gold and Andrew Ross Sorkin’s Too Big to Fail). Out of these three books I’ve taken away two important lessons: First, when evaluating risk, make sure you understand the worst-case-scenario and take it into account and second, incentives explain almost everything.
Of course neither of those ideas are terribly new, and some folks would argue agains the second with behavioral economics (though I don’t actually think they’d argue that incentives explain almost everything, but rather that often we just don’t understand how people are going to react to those incentives).
But I don’t really want to talk about finance, rather I was left thinking about the incentive structure in my own industry: Marketing. Like any industry you have two sides: Buyers (brands that are looking to advertise) and sellers (agencies that are looking to provide their services to brands for a fee). The buyer, theoretically, is looking for something simple: To sell more of whatever it is they sell. This, as with most explanations, is over-simplified, as there could be any number of potential motives for choosing to advertise, but at the end of the day almost all of them eventually get back to selling more stuff.
The sellers price, in a perfect market, would reflect the potential quality of the product (piece of communication) they can deliver against the buyers objective. This leads to two major issues. First, there is no real way for agencies (or the marketers that pay them) to understand the effectiveness of their own campaigns, which leads directly to the second problem, that opacity in effectiveness creates a pretty serious market inefficiency: One side having a whole lot more information than the other (which leads to exploitation).
Eventually that lop-sided information flow leads to an over-emphasis on brand rather than actual ability to deliver results, which gets me to the whole point of this little diatribe: Agencies are more incentivized to build their own brands rather than that of their customers. Sure there are safeguards against this, mainly long-term agreements that agencies covet. But the problem is that even those “long-term” relationships tend to last at most two-or-three years. While there are certainly a few long-term relationships around the business, the vast majority of work being done these days is done with the express understanding the whoever’s doing it is unlikely to be doing it three years from now.
What’s funny is that this is the exact inefficiency that advertisers so covet, making it all the more surprising they wouldn’t recognize the same issue when it’s happening to them. By that I mean, in a category (say toothpaste) where the vast majority of the public has no understanding of how effective one product is compared to another they come to rely on brands (this is pretty much the premise of marketing). Ultimately people end up making their decisions based on a bunch of factors that speak to just about everything but whether it will do the job it says it will do.
So I guess what I’m wondering is whether the industry recognizes this? I know everyone in the agency world goes through phases where they wonder whether any of the work they do really has any purpose, but how come there aren’t more folks on the buyer-side (clients) who are demanding that the incentive structure change to better reflect (and measure) effectiveness. I have to assume it has to do with a general industry belief that we’ll never get there, but there are lots of places on the way to there that are further along then nowhere.

Hi, I'm 
I read this book a little while back (http://teczno.com/s/nxl) and was just thinking about it today. We were talking about driving directions, and the way different people have different heuristics about the right way to go: “the frontage road is always faster” vs. “just take Hollis!” These are built up over time, and often the motivating facts are forgotten as they’re eroded down into smooth little pebbles of unquestioned assumption. One good experience with a restaurant, route, or brand of shampoo has you coming back forever until something drastic snaps you back to reality.
(I don’t know the agency world at all, so please point out where I’m wrong…)
Agreed that information opaqueness is the problem – there is no public accountability that can be used to drive market evaluation of agencies. In the startup world that I know much better, you can evaluate VC firms by the portfolio they have (like you do with agencies, I presume). Considering the “hotness” (expected value) of the current portfolio is part of the evaluation, in VC you can also look at the performance of past exits. For example, Sequoia got the reputation they have thanks mainly to John Doerr’s investments in Amazon, Google, Intuit, etc in the 90′s. Even if that doesn’t conclusively show they can add value (those companies may have been successful with anyone), having Jeff Bezos choose you says a lot.
This is a long way of saying there is no “liquidity event” that allows you to peg a number, compare it to an earlier number, and consider the delta. A VC firm may be able to say their fund had returns of 3X. Agencies (AFAIK) don’t say what the IRR is for all of their projects, though they may highlight a few selected winners.
Maybe what you need are short sellers – people who know an agency’s public perception exceed their ability to perform – who can signal to the market.
I have to agree with Michal whole heartedly. I’m actually on the product/client side of this business However, I have a deeply rooted interest in the advertising side and can sit back and objectively say that trying to evaluate ad houses in strict, numerical, or objective terms is like trying to build an equation to determine the beauty of art.
The ad world is not meant to be easily correlated to numbers because it is in large part an art. Ads should inspire human reaction and create lasting associations. How do you measure this?
To make it even more difficult, an ad agency that has had great success with some brands can fail miserably with others. I liken this to a painter trying to play the Trombone. Both are fine arts, but when the tools and interaction change, so do the results.
So watch MadMen a few times. Look at the sales increases of various companies that have been under Crispin’s watch over the past several years. Ask some real people why they elected one brand over another. You will be able to see that marketing/advertising works, but you will still fail to trace it precisely and numerically.
Thanks for the comments guys.
@Michael: I think you’re right. The root of the problem with measuring agencies is probably that we have no idea how and why brands work. With that said, I think agencies pray on the “dark art” if you will and make little to no attempt to actually quantify their role.
@David: Ha. How do you think short sellers might work? I’m intrigued.
@Rob: But it’s not art, it’s commerce and therefore has to work towards an objective. Brands don’t hire agencies to “inspire human reaction and create lasting associations” without some hope that those things will eventually drive sales. In general I agree, it’s incredibly hard to measure because consumers are hard to understand. I’ve asked people why they chose one brand over another and mostly the answer is they’re not sure or they think it’s better. I’m not arguing against the value of brands or branding or even the work that agencies play, just that there is little way to tell how good they really are at their jobs and they seem find keeping it that way (which is only surprising because clients seem equally fine with it). Finally, I think your last point actually agrees with me: Seeing sales bumps and being able to correlate it to marketing work (that Crispin has done for instance) is precisely the sort of numerical effectiveness I’d love to see more of.
I think I may have played my art analogy too much without proper explanation. Art AND commerce can work towards an objective. The lines between the two can and often will be blurred. I never meant to imply that the advertising shouldn’t work to an objective. The human reaction and associations ARE the means to that objective… SALES! Every one of those people that chooses a branded product over alternatives is making that choice as the result of a myriad of factors from the work an agency did 5 years ago to the mood their dog put them in that morning.
Do you think there is a universal metric that could have been applied before or post Crispin’s work to validate fully that what they did was good? Would this same metric apply to another agency/client? Personally, I do not believe there is.
I think the client has to enter the relationship as you would a personal relationship. You have an idea of where you want it to go and you try to guide things that way. You will encounter surprises along the way and you can’t judge the new girlfriend’s success by how much you liked the last one’s cooking. However, if in the end you are happy with how things are going and you believe you are growing and succeeding together then you keep that up. If it seems you have strayed too far from the original plan then you part ways.
Sales are one indicator of performance, but I would argue could be manipulated even easier than the branding approach. For instance, give an agency a one year contract and demand the results are XX% growth in sales. The incentives will motivate the agency to bust tail, build promotions, discounts, increase channel distribution etc. They may achieve the sales growth, everyone is happy and they get a big renewal. However, during the hack and slash year they did not commit to telling the consumer they were better than a weekly price. Now the store brands are cheaper and the consumer has no particular reason to select the brand. Sales slowly decline and the brand has to do some serious catch up work to gain consumer favor again. This is a possible example and just one of hundreds explaining why there is no metric, and probably never will be.
Last anecdotal example: I am a marketer who spends too much time reading and thinking of this stuff so maybe I am not a fair example. But I will say that I believe the advertising I have seen from Chiat Day for Pedigree will leave a lasting positive association with me and I will more than likely be buying that brand when I have a dog. How would you plan to track that? You can’t, but I think it still means they are doing a good job and in the end will increase sales.
I think we all just have to be comforted in the fact that economists and meteorologists still don’t have their careers down to a science and accept that perhaps marketing is so complex and layered that it is more in the realm of an art than a balance sheet.
Good perspective Noah. But digital-centric agencies do at least attempt to quantify their success rates, right? Like a digital agency can use Omniture or analytics to create a history of sales success before and after this agency’s work on a campaign or site redesign … and incentives can, and are, attached to this. Like, “get us a 30% improvement in conversion and we’ll give you a bonus of x”
Then again, for campaigns that aren’t performing amazingly its also easy for the “sellers” to obfuscate the data to remain in good standing with the “buyer.”
But I realize you may have been referring to the inability for larger campaigns that aren’t entirely digital or tied to the measurable sale of a product … in which case, I see your point.
Word! EXACTLY>
the challenge is however manifold and basically impossible to solve, for 3 reasons/
1. The value of an idea is impossible to gauge except when in market, which means someone has to take on a significant amount of risk.
2.The way marketing or advertising is “effectiveness” is complex and very poorly understood. Sales response, even factoring in ad decay rates, doesn’t pay back mostly in short or medium term. Advertising equally contributes to price elasticity of demand over time, which is hard to model, and intangible asset value denoted brand or goodwill on balance sheets, which can only be realized when the brand is sold.
3. Untangling the solus effect of marketing is near impossible.
http://farisyakob.typepad.com/blog/2010/05/the-worlds-most-engaging-brands-are.html
Agencies are obviously incentivised to build their own brands since their business is derived primarily from reputation, not advertising.
Which is, perhaps, a little ironic.
Rock ON FX
Man, you said it.
I’ve been on both sides of this coin (buyer and seller).
I think most advertisers have mastered the art of spin so well, that they can sell it and dish it to the same people. Particularly old media types. One recently even said that “most things can’t be measured, and really, measurement doesn’t matter anyway. It’s the effect of the principle that matters.” That still makes no sense, but it sure sounds convincing — especially in a click/whir situation.
http://www.copyblogger.com/click-whirr-buy/
Noah, it’s a great thought and question. I admit up front that I am allergic to arguments that start or end with “it’s just not something you can measure”. Bull. Anything can be measured.
And you are absolutely right, marketing must be tied back to business outcomes–if it doesn’t have any effect on outcomes it, by definition, did not work. My work is constantly tied back to business outcomes–sometimes the measurement is straightforward, sometimes it requires methodological complexity, but in either case it can be done. If a business approaches a marketing agency and pays X number of dollars and doesn’t have an outcome in mind up front or haven’t thought through how to measure it I’d venture to say they are not a very well run business.
I would agree that the market for agencies is reputation-based. Their own brand acts as a proxy by which clients can evaluate where their dollars should go. For all the flack that management consultants take we do actually put our money where our mouth is and, up front, agree to the business outcomes that our work will be measured against (stock price, revenue, customer and/or employee engagement scores, turnover, etc). That’s not to say that there isn’t some degree of reputation-based decision making in the market for consultancies, but it appears to be far less than in the marketing world.
There’s a fantastic piece about the nature of the crisis over at ProPublica here: http://www.propublica.org/article/banks-self-dealing-super-charged-financial-crisis
And a piece about in on NPR’s Planet Money Podcast here: http://www.npr.org/blogs/money/2010/08/27/129476589/the-friday-podcast-wall-street-trickery-inflated-the-bubble
I so agree. Marketing research takes pains to try to figure out what the heck I want, my deepest desires, so they deserve to make a lot of money. If the marketing pros and advertisers can touch something, evoke and hinge on some emotion I’m aware of, or not even aware of, perhaps, and “promise” the fulfillment of it, so be it. We all have to make a living. I don’t begrudge anyone a living. I am in the business of helping people get jobs and am a freelance writer–that means I dream and imagine. I love ideas. Yes, advertising and marketing has found a way to appeal to something within and sometimes manages to assuage the pains of living! It’s part of the creative process. I still have the last say: if I buy or not. Sometimes I just enjoy reveling in the suggestion of what is being dangled before me! Sometimes that provides all the lift I might need at the moment. It’s an escape. The fun is in the marketing, actually!