Noah Brier dot Com

I love asking people who are really passionate about something to talk about the person or thing they hold up as best. Ask a guitarist, for instance, who the best guitarist of all time was and you’ll get a thoughtful (and probably surprising) explanation and insight into what one artist looks for in another.

Anyway, it was a pleasure to read Roger Ebert explain his 10 greatest films of all time. This is someone who has spent his whole life thinking about a topic and his reasoning behind each choice is deep (outside his odd pick of Tree of Life at the end). I like his explanation of Raging Bull over Taxi Driver for Scorsese:

“Citizen Kane” speaks for itself. “2001: A Space Odyssey” is likewise a stand-along monument, a great visionary leap, unsurpassed in its vision of man and the universe. It was a statement that came at a time which now looks something like the peak of humanity’s technological optimism. Many would choose “Taxi Driver” as Scorsese’s greatest film, but I believe “Raging Bull” is his best and most personal, a film he says in some ways saved his life. It is the greatest cinematic expression of the torture of jealousy–his “Othello.”

The greatest films of all time - Roger Ebert's Journal

The New Yorker breaks down the Seven Fundamentals of Great Muppet Cinema and I couldn’t agree more (though I haven’t seen the new movie yet). My favorite: “Unlike most other kiddy entertainment, the Muppets were never didactic. They’re flawed, eccentric, anarchic personalities. Miss Piggy, let’s face it, is a borderline narcissist. Gonzo is in love with a chicken. Kermit has a quiet dignity, but he’s easily aggravated. In the Muppet world, character trumps discipline—but when it comes time for morals, they’re kept simple and classy. Leave the “I love you, you love me” garbage to the singing dinosaur.”

Culture Desk: The Seven Fundamentals of Great Muppet Cinema : The New Yorker