In case you were on Twitter a few nights ago, there was a show on SyFy called Sharknado. It was, as you might expect, about sharks getting caught in a tornado. If you judged it’s popularity by Twitter alone you would have thought the whole world was watching. That, however, turns out not to be the case:
But Sharknado may have broken the mold; the movie blew up on Twitter last night, giving the impression that everyone with a TV was watching it. “Omg omg OMG #sharknado,” Mia Farrow tweeted last night, while Washington Post political reporter Chris Cillizza joked that he was writing an article about how Sharknado would affect the 2016 elections. But were all these people actually watching? According to the Los Angeles Times, Sharknado was watched by only 1 million people, which makes it a bust, even by Syfy standards. Most Syfy originals have an average viewership of 1.5 million people, with some getting twice that.
[Via Washington Post]
Yesterday morning I laid in bed and watched Twitter fly by. It was somewhere around 7am and lots of crazy things had happened overnight in Boston between the police and the marathon bombers. I don’t remember exactly where things were in the series of events when I woke up, but while I was watching the still-on-the-loose suspect’s name was released for the first time. As reports started to come in and then, later, get confirmed, people on Twitter did the same thing as me: They started Googling.
As I watched the tiny facts we all uncovered start to turn up in the stream (he was a wrestler, he won a scholarship from the city of Cambridge, he had a link to a YouTube video) I was brought back to an idea I first came across in Bill Wasik’s excellent And Then There’s This. In the book he posits that as a culture we’ve become more obsessed with how a things spreads than the thing itself. He uses the success of Malcolm Gladwell’s Tipping Point to help make the point:
Underlying the success of The Tipping Point and its literary progeny [Freakonomics] is, I would argue, the advent of a new and enthusiastically social-scientific way of engaging with culture. Call it the age of the the model: our meta-analyses of culture (tipping points, long tails, crossing chasms, ideaviruses) have come to seem more relevant and vital than the content of culture itself.
Everyone wanted to be involved in “the hunt,” whether it was on Twitter and Google for information about the suspected bomber, on the TV where reporters were literally chasing these guys around, or the police who were battling these two young men on a suburban street. Watching the new tweets pop up I got a sense that the content didn’t matter as much as the feeling of being involved, the thrill of the hunt if you will. As Wasik notes, we’ve entered an age where how things spread through culture is more interesting than the content itself.
To be clear, I’m not saying this is a good or a bad thing (I do my best to stay away from that sort of stuff), but it’s definitely a real thing and an integral part of how we all experience culture today. When I opened the newspaper this morning it was as much to see how much I knew and how closely I’d followed as it was to learn something new about the chase. After reading the cover story that recounted the previous day’s events I turned to Brian Stetler’s appropriately titled News Media and Social Media Become Part of a Real-Time Manhunt Drama.
There’s something magical about the first few moments of a new medium, as people experiment and try to figure out what it’s all about. It’s a period of uncertainty as a small group of people fumble with new technology and it’s fun to watch. Go back and read early Tweets or look at early Instagram photos and you get the equivalent of tapping the mic to see if it’s on.
I say this because I stumbled onto Vinepeek this morning, which shows a continuous stream of new Vines from Twitter. (For the uninitiated Vine is a new product Twitter announced that lets people make 6-second looping videos.) Watching Vinepeek, I got to thinking that there was something really fascinating with combining a new technology people are getting acquainted to with an API that people can make experimental outputs of. It’s like letting people play with the input and the output at the same time, and in the case of Vinepeek you get a very odd thing that feels like a little TV network that peeks into people’s lives.
I’m sure it won’t be interesting in a few days, but there’s a real magic to combining experimentation on creation and distribution at the exact same time.
We’re doing a little conferencey thing on Monday in NYC for community managers and I just wanted to take the change to invite some of you. We don’t have a ton of spots left, but if you’re interested drop me an email (noah at percolate).
To celebrate #CMGRs, Percolate is hosting a small invite-only event expanding on our SPEAKEASY Happy Hours called SPEAKEASY #CMAD. It’ll be a day full of learnings from brands, agencies and platforms including incredible speakers from LinkedIn, Denny’s, Getty Images, GE, MasterCard, Tumblr, IPG Media Labs and American Express.
This is a cross-post from the Percolate blog. I try not to do this too often, but when it seems like it will be worth sharing I’ll go for it. If it’s annoying let me know and I’ll stop.
We talk about the idea that you must consume content to create content a lot around here, and I wanted to share a little anecdote that I’ve been using in presentations lately.
When Twitter first launched the big joke was that it was a place where people shared what they had for breakfast. Twitter fought tooth and nail against this idea, trying to explain that the service was actually much more serious than that.
But it’s not.
And that’s not a bad thing.
The way I see it, Twitter is just a big platform of what we had for breakfast. Except it’s not food, it’s what we ate on the web. A large proportion of Tweets have a link in them and those links are to whatever that person consumed moments before. It might be a Huffington Post article for breakfast or a YouTube video for lunch, but it’s still just what we ate. We are turning consumption into production.
My friend Grant McCracken wrote about social as exhaust data a few years ago and I think that’s a really nice way to think about it. Essentially what we’re seeing is a digested view into the lives of people and (increasingly) brands. Their social footprint is just that: a footprint. It’s the thing they leave behind after they take a step.